DESCRIPTION:
2x12" LP Compilation, Breaks Hip Hop Electro, With African Flava's Get Ready To Pop & lock !!!!
Compiled by legendary producer Arthur Baker, ‘Breakers Revenge’ is a near definitive collection of original funk, soul, latin, disco and electro classic tracks from 1970 to 1984.
These tracks, a combination of classics and obscurities, have all since become legendary to breakdancers everywhere. First played at South Bronx block parties, community halls and park jams in the 1970s and 80s, spun endlessly by the first three major hip-hop DJs - Kool Herc, Grandmaster Flash and Afrika Bambaataa - and found in the record crates of any DJ of note ever since.
Seminal funk and soul tracks such as Dennis Coffey’s ‘Scorpio’, The Jimmy Castor Bunch’s ‘It’s Just Begun’, James Brown’s ‘Get on the Good Foot’ and The Mohawks’ ‘Champ’ sit side-by-side with the ground-breaking, classic electro of Afrika Bambaataa’s ‘Planet Rock’ and Arthur Baker’s own definitive ‘Breaker’s Revenge.’
Breakdancing has come a long way from its New York roots to its respected position as an art form today where, for the first time ever, it is to be featured in the Olympics held in Paris this August 2024.
The breakbeat remains at the very heart of hip-hop - the mercurial funk, soul and disco tracks, always 100% guaranteed to get B-Boys, B-Girls and breakdancers moving at any block party, with the percussive breakdown of each track the pinnacle to any dance / battle between breakdancers.
Similarly, these tracks have been sampled many times over by every hip-hop artist and producer of note. KRS-ONE, Marley Marl, Kanye West, Jay-Z, Public Enemy, Eric B, The Fugees, Outkast, Mos Def, Main Source, Jungle Brothers, LL Cool J, De La Soul and, well, everyone.
Compiler Arthur Baker played a pivotal role in hip-hop history when, in 1982, he produced Afrika Bambaataa’s seminal ‘Planet Rock’ (as featured here), introducing electronic instruments into hip-hop for the first time ever and in the process creating electro. After ‘Planet Rock’, Arthur Baker went on to remix or produce every major artist of note - from New Order to the Rolling Stones, Al Green to the Pet Shop Boys.
Both formats come complete with an introduction by Arthur Baker and extensive sleevenotes, including a track-by-track breakdown by hip-hop historian JayQuan, and striking images from photographer Sophie Bramly.
“What I truly loved about early hip-hop was that the music thrown down by ‘Bam, Grandmaster Flash, Jazzy Jay and Kool DJ Herc was genre-less, multi-cultural, music from all ends of the world. This is the definitive collection, including all the classics (other than a couple that alas we couldn’t get the rights to), and some real hard to find obscurities.” - Arthur Baker
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Real name: Arthur Baker / Born: April 22 1955, Boston, MA USA
Arthur Baker was among the most visible and widely-imitated of the early hip-hop producers, masterminding breakthrough experiments with tape edits and synthetic beats before crossing over to introduce the art of remixing into the pop mainstream. He began his career as a club DJ in Boston, and landed his first production work at Emergency Records, debuting with Northend's Happy Days." After relocating to New York in 1979, Baker quickly immersed himself in the nascent hip-hop scene; there he was recruited by the Salsoul label to helm a session for Joe Bataan which yielded the rap novelty "Rap-O-Clap-O." His stay in the Big Apple largely unsuccessful, he then returned to Boston, producing a handful of singles which went nowhere, among them Glory's "Can You Guess What Groove This Is?" A move back to New York followed, at which time Baker joined the staff of Tommy Boy Records, where he teamed with co-producer Shep Pettibone to record Afrika Bambaataa's groundbreaking 1982 single "Jazzy Sensation," a remake of Gwen McCrae's "Funky Sensation."
Assuming sole production control, Baker next reunited with Bambaataa for the classic "Planet Rock," a watershed in hip-hop's early evolution -- a wholly-synthesized record inspired by Kraftwerk's Trans-Europe Express, its programmed beats left an indelible imprint on the music released in its wake. Baker's success at Tommy Boy led to the formation of his own label, Streetwise Records; after helming underground club hits for Rockers Revenge, Nairobi and Citispeak, he signed a then-unknown New Edition, issuing the teen vocal group's debut single "Candy Girl" in 1982. Baker's gradual absorption into the pop mainstream continued in 1983, when the cutting-edge British dance group New Order contacted him to produce their single "Confusion; " the record became an immediate club classic, even scraping into the American R&B charts. Remixes of the track also help pioneer the remix aesthetic throughout the rock mainstream, and soon Baker was producing material for Naked Eyes, Face to Face, Diana Ross, Jeff Beck and others.
In 1989, he also assembled artists including Al Green, ABC and Jimmy Somerville to record the all-star LP Merge, credited to Arthur Baker and the Backbeat Disciples. After a follow-up, 1991's Give in to the Rhythm, he returned to production, albeit no longer exerting the same kind of influence as in the decade prior.
"The spirit of making dance records is exactly the same to me as its always been. You have more control now in the studio, that's the whole new thing. But the spirit in which people make dance records is still DJs and the kids who want to go to clubs and hear their own records. I've never made a great dance record that wasn't the direct result of being in a club the night before. Never. When you make a dance record the objective is clear - to make people dance and have a good time. You really can't take it too seriously."
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Note: You can view albums tagged as 'Various Artists' in your library here.
The term Various Artists is used in the record industry when numerous singers and musicians collaborate on a song or collection of songs. Most often on Last.fm, compilation album tracks appear under the name of Various Artists erroneously because the individual artist is not listed in the album's ID3 information.
Compilation albums, for example.
Sometimes, single releases may be credited to Various Artists when their profits are going to charity and, usually in high-profile cases, are sometimes known by a group name. Examples include Band Aid with their releases of Do They Know It's Christmas? and USA for Africa with We Are The World.
Various Artists is also an actual performance name for Torsten Pröfrock, who runs the German DIN label. Torsten performs also as Dynamo, Erosion, Resilent, Traktor besides some others. He's a good friend of Robert Henke and since the Fall of 2004, he is a member of Monolake.
Various Artists was also a short-lived Bristol punk band formed by brothers Jonjo and Robin Key (originally from Birmingham). Other members were also simultaneously in Art Objects who went on to become The Blue Aeroplanes, the latter the Key brothers also co-wrote some songs and were involved in. When Various Artists imploded, the Key brothers went on to form Either / Or.
Various Artists also appear on tracks from musical theater soundtracks, due to the nature of having many cast members on one song, as well as an ensemble in some cases.
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