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AVERY, DANIEL - ULTRA TRUTH

- NEW RELEASE

ARTIST:
TITLE:
Ultra Truth
CATNO:
PHLP19X
STYLE:
FORMAT:
Vinyl record
DESCRIPTION:
2xLP on Limited White vinyl.

While Daniel Avery's earlier LPs were deemed by the artist to be dissociative exercises - either working in dance or ambient escapism - his new album 'Ultra Truth' faces up fearlessly to life. Through mega washed out and blurred breaks and, it's the sonic expression of Avery "staring into the fire" of life, however dreamy and indistinct the experience of it may be, and living mindfully, completely in the body he finds himself housed in and controlling. Of course, dance music is embodied music, so we're more than blown away by this representation; Avery pulls it off by going in a direction we've not heard him move in before.

PRICE:
£32.99
RELEASED YEAR:
SLEEVE:
New
MEDIA:
New

BUY:
 
 
LISTEN:
Play       Cue Sample

TRACK LISTING:

Click to listen - add to playlist or download mp3 sample.

PLAY
 
CUE
MP3
a1
New Faith
a2
Ultra Truth
a3
Wall Of Sleep
a4
The Slow Bullet
b1
Devotion
b2
Only
b3
Spider
b4
Near Perfect
c1
Higher
c2
Ache
c3
Collapsing Sky
c4
Lone Swardsman
d1
Overflowing With Escape
d2
Heavy Rain

Last FM Information on Daniel Avery

Please note the information is done on a artist keyword match and data is provided by LastFM.
Daniel Avery is an electronic music producer and DJ from Bournemouth, a resort town on the south coast of England. Avery's music encompasses abstract techno, house, IDM, and shoegaze. Initially going by the name "Stopmakingme", he began releasing well-received indie dance tracks and remixes starting in 2009, but broke through after he switched to his own name in 2012. His expansive full-length debut, Drone Logic, was released to wide acclaim in 2013. Five years and a DJ-Kicks volume later, Avery released his second album, the more cerebral, immersive Song for Alpha. Avery began DJing indie music as an 18-year-old in his native Bournemouth, England. It wasn't until a trip to Ibiza that he was inspired to spin house and techno, after seeing crowds open to dancing to new and unfamiliar tracks. He connected with Filthy Dukes through a local bar and spun at the synth pop group's Kill 'Em All club night in London, which led to opening slots at the prestigious Fabric. As a producer and remixer, he developed a raw, robust sound that incorporated his love for odd, alien elements. Output from 2009 through 2011, including collaborations with Justin Robertson and remixes for the likes of Little Boots, Metronomy, Hercules & Love Affair, and In Flagranti, was credited to Stopmakingme. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.