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AMYL AND THE SNIFFERS - CARTOON DARKNESS
ARTIST:
TITLE:
Cartoon Darkness
LABEL:
CATNO:
RTO0LPE
STYLE:
Punk /
FORMAT:
Vinyl record
DESCRIPTION:
Punk LP Pressed on Ltd Edition Bittersweet Moondance Vinyl - In the eight years since Amyl and The Sniffers came together in Melbourne’s sticky pub-rock scene, Amyl and the Sniffers have become masters of balancing power and playfulness. With two critically acclaimed albums under their belt - 2019’s self-titled debut and 2021’s visceral ‘Comfort To Me’ - vocalist Amy Taylor, guitarist Declan Mehrtens, bassist Gus Romer and drummer Bryce Wilson have achieved something unique and remarkable.
Since the release of Comfort to Me, the band has seen their horizons broaden exponentially in every way. And it’s this attitude - bigger, brighter, smarter, sharper - that’s fuelling their third album, ‘Cartoon Darkness’. Recorded with producer Nick Launay at Foo Fighters’ 606 Studios in Los Angeles, on the same desk that captured Nirvana’s Nevermind and Fleetwood Mac’s Rumours, the latest Amyl offering is full of surprises. Musically, Mehrtens, Romer and Wilson have written The Sniffers’ most diverse album yet. It stretches from classic punk to the glammy strut of recent single ‘U Should Not Be Doing That’ to the stormy balladry of ‘Big Dreams’ (which is a sonic gear shift worthy of the title).
Cartoon Darkness is about climate crisis, war, AI, tip-toeing on the eggshells of politics, and people feeling like they're helping by having a voice online when we’re all just feeding the data beast of Big Tech, our modern day god. It’s about the fact that our generation is spoon-fed information. We look like adults, but we’re children forever cocooned in a shell. We’re all passively gulping up distractions that don’t even cause pleasure, sensation or joy, they just cause numbness.
Everything is such hard work, everything is heartbreaking, but everything is beautiful. I want to celebrate. I want to put my phone down and see someone's facial expression change with what they say. I want to people-watch. I want to see if there are bugs where I walk, but I don't see them. I also want the fantasy and the escapism. I want to lean into hedonism, I want to feel alive, while acknowledging the dystopia and chaos unfolding around me.
Cartoon Darkness is driving head first into the unknown, into this looming sketch of the future that feels terrible, but doesn’t even exist yet. A childlike darkness. I don’t want to meet the devil half-way and mourn what we have right now. The future is cartoon, the prescription is dark, but it's novelty. It's just a joke. It's fun.
Since the release of Comfort to Me, the band has seen their horizons broaden exponentially in every way. And it’s this attitude - bigger, brighter, smarter, sharper - that’s fuelling their third album, ‘Cartoon Darkness’. Recorded with producer Nick Launay at Foo Fighters’ 606 Studios in Los Angeles, on the same desk that captured Nirvana’s Nevermind and Fleetwood Mac’s Rumours, the latest Amyl offering is full of surprises. Musically, Mehrtens, Romer and Wilson have written The Sniffers’ most diverse album yet. It stretches from classic punk to the glammy strut of recent single ‘U Should Not Be Doing That’ to the stormy balladry of ‘Big Dreams’ (which is a sonic gear shift worthy of the title).
Cartoon Darkness is about climate crisis, war, AI, tip-toeing on the eggshells of politics, and people feeling like they're helping by having a voice online when we’re all just feeding the data beast of Big Tech, our modern day god. It’s about the fact that our generation is spoon-fed information. We look like adults, but we’re children forever cocooned in a shell. We’re all passively gulping up distractions that don’t even cause pleasure, sensation or joy, they just cause numbness.
Everything is such hard work, everything is heartbreaking, but everything is beautiful. I want to celebrate. I want to put my phone down and see someone's facial expression change with what they say. I want to people-watch. I want to see if there are bugs where I walk, but I don't see them. I also want the fantasy and the escapism. I want to lean into hedonism, I want to feel alive, while acknowledging the dystopia and chaos unfolding around me.
Cartoon Darkness is driving head first into the unknown, into this looming sketch of the future that feels terrible, but doesn’t even exist yet. A childlike darkness. I don’t want to meet the devil half-way and mourn what we have right now. The future is cartoon, the prescription is dark, but it's novelty. It's just a joke. It's fun.
PRICE:
£22.99
RELEASED YEAR:
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New
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TRACK LISTING:
Click to listen - add to playlist or download mp3 sample.PLAY
CUE
MP3
a1
Jerkin
a2
Chewing Gum
a3
Big Dreams
a4
t's Mine
a5
Motorbike Song
b1
Doing In Me Head
b2
Pigs
b3
Bailing On Me
b4
U Should Not Be Doing That
b5
Do It Do It
b6
Going Somewhere
b7
Me And The Girls
Last FM Information on Amyl and The Sniffers
Please note the information is done on a artist keyword match and data is provided by LastFM.
Amyl and the Sniffers is an Australian pub rock and punk rock band based in Melbourne, consisting of vocalist Amy Taylor, drummer Bryce Wilson, guitarist Dec Martens, and bassist Gus Romer. At the ARIA Music Awards of 2019, their self-titled debut record won the Best Rock Album category.
Amy Taylor (vocals), Bryce Wilson (drums) and Declan Martens (guitar) founded Amyl in their sharehouse in early 2016. They formed the band, wrote a handful of tunes and released their debut EP, Giddy Up, all in a span of twelve hours. Gus Romer came on board to play bass shortly afterward and Amyl and the Sniffers took its current shape: a grimy four-piece taking its cues from a diverse mix of genres including pub rock, Aussie punk, country and western and rap rave. The band set out to have as much fun as possible and scared up a whole lot of fans along the way.
The band's name is a reference to the Australian slang for the inhalant poppers.
Diskous
Amyl and the Sniffers - Released: 24 May 2019
Comfort to Me - Released: 10 September 2021 Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.