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ALFREDO, DJ / VARIOUS ARTISTS - PARAISO: THE TRUE SPIRIT OF IBIZA
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TITLE:
Paraiso: The True Spirit Of Ibiza
LABEL:
CATNO:
REB131
FORMAT:
Vinyl record
DESCRIPTION:
2x12" Eclectic Mix of House, Techno, Balearic, Downtempo -In 2022, Daniele “Shield” Contrini of Rebirth Records proposed Paraíso to the great man himself, a compilation honouring Alfredo’s legacy. After Alfredo’s passing in December 2024, the project was final; with artists rallying to honour his vision and memory.
Before becoming a global clubbing hotspot, Ibiza embodied freedom—a place where sunrises blurred into sunsets and music became a way of life. In the 1950s and '60s, the island drew artists, hippies, and outsiders seeking escape and creative liberty.
In 1976, Alfredo Fiorito, fleeing political repression in Argentina, arrived in Ibiza and stayed. A former music journalist, he soon began DJing at Amnesia, a farmhouse-turned-club where time bent and boundaries dissolved. With eclectic, genre-defying sets, Alfredo blended reggae, flamenco, soul, rock, and early house, crafting a hypnotic energy that captivated a generation.
British DJs like Trevor Fung, Paul Oakenfold and Danny Rampling brought this “Balearic Beat” back home. But Balearic wasn’t a style it was a mindset. As DJ Leo Mas said, it was “a state of mind,” where rhythm, spirit, and psychedelia merged.
Other clubs like KU, Es Paradis, Pacha, and Lola’s amplified the movement. Visual artists such as Yves Uro gave it a striking identity, and DJs like César de Melero, DJ Pippi, and Jon Sa Trinxa carried the sound into a new era. José Padilla’s sunset sessions at Café del Mar birthed chill-out music as breath, not just beat.
But the 1990s brought change. Laws requiring roofs on clubs altered the open-air magic. Commercialisation followed; freedom became luxury, and many pioneers left.
Still, the Balearic spirit lives—raw and untamed. It pulses in hidden parties, intimate venues like Pikes and Hostal La Torre, and sacred places like Benirrás and Las Dalias.
Featuring 16 tracks of classic and true Balearic sound; alongside House & proto-House tracks that Mr Fiorito spun, the album also includes an unreleased Alfredo track and stands as a tribute to the man, the music, and the enduring spirit of true Ibiza.
Before becoming a global clubbing hotspot, Ibiza embodied freedom—a place where sunrises blurred into sunsets and music became a way of life. In the 1950s and '60s, the island drew artists, hippies, and outsiders seeking escape and creative liberty.
In 1976, Alfredo Fiorito, fleeing political repression in Argentina, arrived in Ibiza and stayed. A former music journalist, he soon began DJing at Amnesia, a farmhouse-turned-club where time bent and boundaries dissolved. With eclectic, genre-defying sets, Alfredo blended reggae, flamenco, soul, rock, and early house, crafting a hypnotic energy that captivated a generation.
British DJs like Trevor Fung, Paul Oakenfold and Danny Rampling brought this “Balearic Beat” back home. But Balearic wasn’t a style it was a mindset. As DJ Leo Mas said, it was “a state of mind,” where rhythm, spirit, and psychedelia merged.
Other clubs like KU, Es Paradis, Pacha, and Lola’s amplified the movement. Visual artists such as Yves Uro gave it a striking identity, and DJs like César de Melero, DJ Pippi, and Jon Sa Trinxa carried the sound into a new era. José Padilla’s sunset sessions at Café del Mar birthed chill-out music as breath, not just beat.
But the 1990s brought change. Laws requiring roofs on clubs altered the open-air magic. Commercialisation followed; freedom became luxury, and many pioneers left.
Still, the Balearic spirit lives—raw and untamed. It pulses in hidden parties, intimate venues like Pikes and Hostal La Torre, and sacred places like Benirrás and Las Dalias.
Featuring 16 tracks of classic and true Balearic sound; alongside House & proto-House tracks that Mr Fiorito spun, the album also includes an unreleased Alfredo track and stands as a tribute to the man, the music, and the enduring spirit of true Ibiza.
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Last FM Information on Various Artists
Please note the information is done on a artist keyword match and data is provided by LastFM.
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Note: You can view albums tagged as 'Various Artists' in your library here.
The term Various Artists is used in the recording industry to designate releases featuring contributions from multiple performers. It commonly appears on compilation albums or collaborative recordings where no single artist attribution applies. On digital platforms such as Last.fm, tracks may be listed under this designation when individual artist information is missing or incomplete in metadata, resulting in automatic grouping under the generic label.
In some cases, singles credited to Various Artists are issued for charitable purposes, particularly when performers collaborate under a collective project name. Examples include Band Aid with the song "Do They Know It’s Christmas?" and USA for Africa with "We Are the World".
Various Artists is also used as a performance alias by German musician Torsten Pröfrock, founder of the DIN label. In addition to this name, he has recorded under several other aliases, including Dynamo, Erosion, Resilent, and Traktor. He has collaborated with Robert Henke and has been a member of Monolake since 2004.
The name was also used by a short-lived punk band formed in Bristol by brothers Jonjo and Robin Key, originally from Birmingham. Other members were involved simultaneously in Art Objects, which later evolved into The Blue Aeroplanes; the Key brothers also contributed as songwriters and participants in that project. After the group disbanded, the brothers formed Either / Or.
The designation Various Artists is also commonly applied to musical theater soundtracks, reflecting recordings that feature multiple cast members or ensemble performances within a single track. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.