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TAYLOR, EBO - YEN ARA REMIXES PART 1
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ARTIST:
TITLE:
Yen Ara Remixes Part 1
LABEL:
CATNO:
MRB12050
FORMAT:
Vinyl record
DESCRIPTION:
Ron Trent & Natureboy Flako Remixes - Nu disco & African/ Afrobeat Rhythms - Mr Bongo presents the first 12" in a series of remix packages curated from Ebo Taylor's brand new album 'Yen Ara'.
The 81-year-old composer, arranger, guitarist and vocalist has been a key figure in the evolving afro-funk sound since the Seventies, working with the
likes of Apagya Show Band, CK Mann and Pat Thomas.
This 12" combines three of the best remixers in the business - the legendary Ron Trent, west coast talent Flako, and disco connoisseur Nick The Record.
You will hear the high-energy afrobeat, sweet highlife, jazz and konkoma influences that Ebo is famous for, and the remixes have contributed their disco pulse, house groove, and hard-hitting percussive edge to the tracks.
The 81-year-old composer, arranger, guitarist and vocalist has been a key figure in the evolving afro-funk sound since the Seventies, working with the
likes of Apagya Show Band, CK Mann and Pat Thomas.
This 12" combines three of the best remixers in the business - the legendary Ron Trent, west coast talent Flako, and disco connoisseur Nick The Record.
You will hear the high-energy afrobeat, sweet highlife, jazz and konkoma influences that Ebo is famous for, and the remixes have contributed their disco pulse, house groove, and hard-hitting percussive edge to the tracks.
PRICE:
£10.49
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Last FM Information on Ebo Taylor
Please note the information is done on a artist keyword match and data is provided by LastFM.
Ebo Taylor (Cape Coast, Ghana, January 7, 1936) is a highlife guitarist, composer, arranger, bandleader, and producer.
Ebo Taylor has been a vital figure on the Ghanaian music scene for over six decades.
In the late '50s he was active in the influential highlife bands the Stargazers and the Broadway Dance Band, and in 1962 he took his own group, the Black Star Highlife Band, to London, which led to collaborations with Fela Kuti and other African musicians in Britain at the time.
Returning to Ghana, he worked as a producer, crafting recordings for Pat Thomas, C.K. Mann, and others, as well as exploring his own projects, combining traditional Ghanaian material with Afro-beat, jazz, and funk rhythms to create his own recognizable sound in the '70s.
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