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SHACKLETON & VENGEANCE TENFOLD - SFERIC GHOST TRANSMITS


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TITLE:
Sferic Ghost Transmits
LABEL:
CATNO:
HJP084
FORMAT:
Vinyl record
DESCRIPTION:
2x12" LP Eclectic Mix of Tribal, African, Experimental, Dark Ambient, Techno

No-one else makes music like this: devilishly complex but warm and intuitive, stirring together a dizzying assembly of outernational and outerspace influences, whilst retaining the subby funk-and-hot-breath pressure of Shackleton's soundboy, club roots.
The result is an evolutionary, truly alchemical music — great shifting tides of dub, minimalist composition and choral song (Five Demiurgic Options), ritual spells to ward off the darkness (Before The Dam Broke, The Prophet Sequence), radiophonia and zoned-out guitar improv (Seven Virgins), even the febrile, freeform psychedelia of eighties noise rock (Sferic Ghost Transmits / Fear The Crown).
Over the five years since Music For The Quiet Hour, Vengeance's vocal and lyrical range has rolled out across this new terrain. Throughout these six transmissions he's hoarse preacher, sage scholar and ravaged bluesman, blind man marching off to war, and exhausted time-traveller warning of

PRICE:
£17.99
RELEASED YEAR:
SLEEVE:
Mint (M)
MEDIA:
Mint (M)

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LISTEN:
Play       Cue Sample

TRACK LISTING:

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PLAY
 
CUE
MP3
a1
Before The Dam Broke
b1
Dive Into The Grave
b2
Five Demiurgic Options
c1
Sferic Ghost Transmits
c2
Fear The Crown
d1
Seven Virgins
d2
The Prophet Sequence

Last FM Information on Shackleton

Please note the information is done on a artist keyword match and data is provided by LastFM.
Co-ran the Skull Disco label from 2005 to 2008 with Appleblim. Shackleton's take on the sparse template of minimal techno, originally showing heavy influence from Muslimgauze, evolved over the course of the label's lifespan to a sound that resembled something closer to a skeletal, emaciated take on the drop structure and sepulchral sound design of dubstep. By the time of his last release on Skull Disco - the label's last as well, the aptly titled Soundboy's Suicide Note - his work was practically consuming itself. As described in a Resident Advisor review, "Shackleton's loopy drum programming and ink-stained bass...are pushed to psychedelic extremes. Rather than seeking a way out for his music, he found new ways to burrow deeper." Since minting his Woe to the Septic Heart! imprint in 2010, Shackleton's output has become considerably more colourful, going through a resurrection of sorts. This is especially evident in his massive Music for the Quiet Hour / The Drawbar Organ triple LP, in which he infuses bright organ tones into his longstanding brand of mystical minimal techno, replete with incessant polyrhythms, cavernous sound design, and vocal manipulation reminiscent of the early phasing experiments of Steve Reich. www.skulldisco.com Woe to the Septic Heart - Discogs Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.