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OMAR SOULEYMAN - WENU WENU


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ARTIST:
TITLE:
Wenu Wenu
LABEL:
CATNO:
RBN029LPS
STYLE:
FORMAT:
Vinyl record
DESCRIPTION:
2013 Folk, World, & Country LP Repressed On Heavyweight Vinyl & Includes Free Download Of The LP Prduced By Four Tet Stable

After an estimated 500 bootleg wedding recordings, three compilations, and a live album issued by Sublime Frequencies, Omar Souleyman's modern dabke is finally captured in a recording studio with Four Tet's Kieran Hebden producing. Of course, accompanying him is his not-so-secret weapon, keyboard wizard Rizan Sa'id. Wenu Wenu contains seven selections, clocking in at a little under 40 minutes. There are re-recordings of favorites, traditional songs, and a couple of new tunes. Souleyman's fluid, innovative dabke style walks its own loopy tightrope between baladi and shaabi styles and pushes the boundaries to create some new ones. His lyrics are sung poetry that can be understood by Turks, Kurds, and Iraqis, as well as Syrians; Westerners, not so much, but there are translations. Hebden does his best to capture all that is attractive about Souleyman's music but without the overblown dis

PRICE:
£15.99
RELEASED YEAR:
SLEEVE:
Mint (M)
MEDIA:
Mint (M)

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LISTEN:
Play       Cue Sample

TRACK LISTING:

Click to listen - add to playlist or download mp3 sample.

PLAY
 
CUE
MP3
a1
Wenu Wenu
a2
Ya Yumma
a3
Nahy
b1
Khattaba
b2
Warni Warni
b3
Mawal Jamar
b4
Yagbuni

Last FM Information on Omar Souleyman

Please note the information is done on a artist keyword match and data is provided by LastFM.
Omar Souleyman (عمر سليمان) is a Syrian musical legend. Since 1994 he and his musicians emerged as a staple of folk-pop throughout Syria, but until being released by the Sublime Frequencies label they were little known outside of the country. To date, they have issued more than five-hundred studio- and live-recorded cassette albums which are easily spotted in the shops of any Syrian city. Born in rural Northeastern Syria, he began his musical career in 1994 with a small group of local collaborators that remain with him today. The myriad musical traditions of the region are evident in their music. Here, classical Arabic mawal-style vocalization gives way to high-octane Syrian Dabke (the regional folkloric dance and party music), Iraqi Choubi and a host of Arabic, Kurdish and Turkish styles, among others. This amalgamation is truly the sound of Syria. The music often has an overdriven sound consisting of phase-shifted Arabic keyboard solos and frantic rhythms. At breakneck speeds, these shrill Syrian electronics play out like forbidden morse-code, but the moods swing from coarse and urgent to dirgy and contemplative in the rugged anthems that comprise Souleyman's repertoire. Oud, reeds, baglama saz, accompanying vocals and percussion fill out the sound from track to track. Mahmoud Harbi is a long-time collaborator and the man responsible for much of the poetry sung by Souleyman. Together, they commonly perform the Ataba, a traditional form of folk poetry used in Dabke. On stage, Harbi chain smokes cigarettes while standing shoulder to shoulder with Souleyman, periodically leaning over to whisper the material into his ear. Acting as a conduit, Souleyman struts into the audience with urgency, vocalizing the prose in song before returning for the next verse. Souleyman’s first hit in Syria was "Jani" (1996) which gained cassette-kiosk infamy and brought him recognition throughout the country. Over the years, his popularity has risen steadily and the group tirelessly performs concerts throughout Syria and has accepted invitations to perform abroad in Saudi Arabia, Dubai and Lebanon. Omar Souleyman is a man of hospitality and striking integrity who describes his style as his own and prides himself on not being an imitator or a sell-out. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.