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OBSOLETE MUSIC TECHNOLOGY - LONE PASSENGER


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TITLE:
Lone Passenger
LABEL:
CATNO:
DOLLY24
STYLE:
FORMAT:
Vinyl record
DESCRIPTION:
Steven Tang returns on Dolly for his second release under his Obsolete Music Technology moniker with 3 solid melodic, driving Chicago / Techno/ Electro stompers!!!

The majority of Obsolete Music Technology output from Chicago's Steven Tang has come through his own Emphasis Recordings label since he first started producing under the name back in 2007. He did however break with tradition by contributing an Obsolete Music Technology slab to Dolly in 2012, and Tang now returns with a second offering for Steffi's label. Across the three tracks, Tang's mastery of his craft is more than evident, displaying a rawness that is often craved but not always achieved these days. It's hard to pick out a favourite here, with the title track's classic Chicago vibe complemented by the more intense racing "Voltage Player" and the cascading rhythmic hits of "High Strung". Class always tells, and this Love Passenger 12" has it by the bucketload.

Steffi is an old-school crate digger. After years of searching and collecting,

PRICE:
£8.99
RELEASED YEAR:
SLEEVE:
Mint (M)
MEDIA:
Mint (M)

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1
Lone Passenger
2
Voltage Player
3
High Strung

Last FM Information on Obsolete Music Technology

Please note the information is done on a artist keyword match and data is provided by LastFM.
Steven Tang / Tang / Obsolete Music Technology / Misguided / Monomer__A Hong Kong native living in Chicago since '81 whose humble beginnings in electronic music grew exponentially with the discovery of house music a music going through its own infancy at the time. Spending many weekends recording mixes off the airwaves, shopping for the latest cuts of the day at stores such as Imports Etc. and Loop Records. As his record collection expanded so did his interest in djing, owning his first pair of decks in '88 to learn the 'craft'. In the 90's Tang studied Radio Broadcasting at Chicago's Columbia College and sporadically dj'ed at local events, clubs and house parties while working on his next goal to set up a personal recording studio to create his own productions. '98 saw the establishment of Emphasis Recordings with his debut release, "Windy City EP". It garnered the attention of Ewan Jensen (Red Ember Records/Moods & Grooves) and a year later, contributed "Visions Far Away" for Red Ember's "Deepsounds Vol. 1" compilation. Fast forward to Memorial Day Weekend 2002, Tang performed at DEMF (Detroit Electronic Music Festival) and was one of the featured artists on the Unofficial DEMF "Generator: Detroit" CD compilation. Finally in 2006 with new distribution, marked the full return of output as Obsolete Music Technology on Emphasis Recs and has since also dropped gold for labels like Aesthetic Audio, Machining Dreams, Generator, Eargasmic Recordings and Synchophone -- France. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.