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NILS FRAHM - LATE NIGHT TALES
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Late Night Tales
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ALNLP42
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Vinyl record
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2x12" Downtempo Laid Back Grooves- Contemporay /Jazz & Classical
Composer, musician and producer Nils Frahm steers the new edition of 'Late Night Tales'. A hypnotic voyage through modern and classical composition, experimental electronics, jazz, dub techno, soundtracks and soul; Frahm's 'Late Night Tales' haunts and beguiles. It’s not mixing, so much as gently layering, like a particularly fluffy goose-down duvet folding in on itself, the folds part of the attraction, the layers part of the overall picture being painted. Many of the tracks have been edited, effected and re-made. The subtly overdubbed parts on Rhythm & Sound's ‘Mango Drive’ adding to the haunting hypnosis, while choral interruptions aid Miles Davis’ ‘Générique’ on its journey towards the light. Meanwhile, on Boards Of Canada’s ‘In A Beautiful Place Out In The Country’, the tempo is somewhat sluggish, the organs slurred, as Frahm slows it down to a funereal 33rpm that nevertheless fits perfectly. The purring of his girlfriend's cat Cleo transitions playfully between Nina Simone's definitive version of 'Who Knows Where the Time Goes' and unearthing the gentle electronics of Dub Tractor. Eddy Arnold’s ‘You’re The Only Star’, a country tune that sounds like its transmitting from a mid-west diner wireless circa 1947, is straight from the soundtrack to an imaginary David Lynch movie, comforting and dismaying all at once. This crackly reality abounds, as on Finnish band Gentleman Losers’ ‘Honey Bunch’, that adds an unsettling texture, with a sound that is modern but as nostalgic. Frahm's own tracks bookend the mix, opening with an inspired "rework" of the infamous silent John Cage piece '4:33' ("I sat at the piano in silence and worked from there. I listened and took in the atmosphere and this is what came out of it") and ending with a solo piano version of 'Them', taken from his recently released score of the film 'Victoria'. The traditional Late Night Tales spoken word epilogue is voiced by actor Cillian Murphy (Inception, Batman, 28 Days Later), re
Composer, musician and producer Nils Frahm steers the new edition of 'Late Night Tales'. A hypnotic voyage through modern and classical composition, experimental electronics, jazz, dub techno, soundtracks and soul; Frahm's 'Late Night Tales' haunts and beguiles. It’s not mixing, so much as gently layering, like a particularly fluffy goose-down duvet folding in on itself, the folds part of the attraction, the layers part of the overall picture being painted. Many of the tracks have been edited, effected and re-made. The subtly overdubbed parts on Rhythm & Sound's ‘Mango Drive’ adding to the haunting hypnosis, while choral interruptions aid Miles Davis’ ‘Générique’ on its journey towards the light. Meanwhile, on Boards Of Canada’s ‘In A Beautiful Place Out In The Country’, the tempo is somewhat sluggish, the organs slurred, as Frahm slows it down to a funereal 33rpm that nevertheless fits perfectly. The purring of his girlfriend's cat Cleo transitions playfully between Nina Simone's definitive version of 'Who Knows Where the Time Goes' and unearthing the gentle electronics of Dub Tractor. Eddy Arnold’s ‘You’re The Only Star’, a country tune that sounds like its transmitting from a mid-west diner wireless circa 1947, is straight from the soundtrack to an imaginary David Lynch movie, comforting and dismaying all at once. This crackly reality abounds, as on Finnish band Gentleman Losers’ ‘Honey Bunch’, that adds an unsettling texture, with a sound that is modern but as nostalgic. Frahm's own tracks bookend the mix, opening with an inspired "rework" of the infamous silent John Cage piece '4:33' ("I sat at the piano in silence and worked from there. I listened and took in the atmosphere and this is what came out of it") and ending with a solo piano version of 'Them', taken from his recently released score of the film 'Victoria'. The traditional Late Night Tales spoken word epilogue is voiced by actor Cillian Murphy (Inception, Batman, 28 Days Later), re
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Last FM Information on Nils Frahm
Please note the information is done on a artist keyword match and data is provided by LastFM.
Nils Frahm (born 20 September 1982) is a German musician, composer and record producer based in Berlin. He is known for combining classical and electronic music and for an unconventional approach to the piano in which he mixes a grand piano, upright piano, Roland Juno-60, Rhodes piano, drum machines, and Moog Taurus.
As well as his solo work, Frahm has released collaborations with such notable performers as Anne Müller, Ólafur Arnalds, F. S. Blumm and Woodkid. Together with Frederic Gmeiner and Sebastian Singwald he records and performs as Nonkeen.
Frahm had an early introduction to music. His father, Klaus Frahm, was a photographer who also designed covers for ECM Records. He grew up near Hamburg, where he learned the styles of the classical pianists as well as contemporary composers. At school he used mixing boards and was very interested in the quality of recorded sound
Frahm's earlier solo piano works Wintermusik (2009) and The Bells (2009) gained him attention, but it was his 2011 release Felt that was met with critical acclaim. It was his first studio album on Erased Tapes, which has been releasing his music since. The album was followed by the solo synthesiser EP Juno and by Screws (2012), recorded while Frahm was recovering from a thumb injury, and offered as a free download to fans on his birthday. His follow-up to Juno, titled Juno Reworked (2013), featured guest reworks by Luke Abbott and Chris Clark.
Frahm's album, Spaces (2013), was made of live recordings from various venues spanning over two years.
In December 2013, Frahm released his first music book, Sheets Eins, published by Manners McDade. In 2016 the follow-up Sheets Zwei was released.
In 2014, Frahm announced his new piano "Una Corda", specially designed and made for him by David Klavins. The piano weighs under 100 kg and has one string per key, rather than the commonly used three strings.[8]
His album Solo (2015), an improvisation single take without any overdubs, was later recorded on the "Modell 370", a 370cm high vertical piano also made by David Klavins. It was one of the 19 records nominated for the IMPALA Album of the Year Award.
A condensed version of his single "More" was featured in the Assassin's Creed Unity gamescom trailer.
In 2015 Frahm composed his first original score for the German film "Victoria" which is a 140-minute continuous take directed by Sebastian Schipper.
Nils Frahm also collaborated with Woodkid on the critically acclaimed short film ELLIS directed by JR which was released in October 2015.
In the same year Nils Frahm created the "Piano Day" which is celebrated at the 88th day of the year (due to the 88 keys of a standard piano) The first project was the construction of the "Modell 450" together with David Klavins. It is the successor of the "Modell 370".
In February 2016 Frahm released The Gamble, followed by its companion release Oddments of the Gamble in August 2016. Pitchfork.com described the album "as charmingly patched together and messy as it is well-paced and dynamic". The material was recorded over eight years while the artwork was produced by Frahm's father.
Frahm has said "I’m interested in how human beings react in certain situations, and what music does to people’s emotions. How we can change people’s attitudes with tones. After I’ve played a good concert, people leave the room happy. This is something we can give back to the world. When people feel down and like it’s all going to shit, at least we can give them some music and change their attitude so people don’t think it’s all shit.... That’s my religion." Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.