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MELVIN, HAROLD & THE BLUE NOTES - BAD LUCK / DON'T LEAVE ME THIS WAY


TITLE:
Bad Luck / Don't Leave Me This Way
CATNO:
PR65003P
FORMAT:
Vinyl record
DESCRIPTION:
Quality Soul / Disco Remixes, from Tom Moulton

Harold Melvin & The Blue Notes were one of the most popular groups on Gamble & Huff's Philadelphia International label, clocking up a number of hits in the mid 70's.

This release featuring two of their recordings, typify the cream of Philadelphia International and Sigma Sound studios dominance of the mid 1970s dance-floor at the absolute height of their creativity and power.

"Bad Luck" spent an unprecedented 11 weeks on the No.1 slot on Billboard's U.S. Dance chart in 1975 and has since become one of the biggest dance-floor staples ever recorded.

On the flip we have the original full version of the classic "Don't Leave Me This Way".

Both songs are mixed to perfection by Tom Moulton and both are state-of-the-art lessons in what exhilarating Dance Music is all about.

Fully remastered on limited edition 180 gram heavyweight vinyl.

PRICE:
£13.49
RELEASED YEAR:
SLEEVE:
Mint (M)
MEDIA:
Mint (M)

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LISTEN:
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TRACK LISTING:

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CUE
MP3
1
Bad Luck (Tom Moulton Mix)
2
Don't Leave Me This Way (Tom Moulton Mix)

Last FM Information on Harold Melvin

Please note the information is done on a artist keyword match and data is provided by LastFM.
Lead singer Teddy Pendergrass, one of the best voices of the 20th century Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

Last FM Information on The Blue Notes

Please note the information is done on a artist keyword match and data is provided by LastFM.
The Blue Notes were a South African jazz sextet, whose definitive line up featured Chris McGregor on piano, Mongezi Feza on trumpet, Dudu Pukwana on alto saxophone, Nikele Moyake on tenor saxophone, Johnny Dyani on bass, and Louis Moholo on drums. After moving away from their home country in 1964, they established themselves on the European jazz circuit, where they continued to play and record through the 1970s. They are now considered one of the great free jazz bands of their era, whose music was given a unique flavour by their integration of African styles such as Kwela into the progressive jazz ideas of the time. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.