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HYDROPLANE - HYDROPLANE
ARTIST:
TITLE:
Hydroplane
LABEL:
CATNO:
ES027
STYLE:
Ambient / Indie Rock /
FORMAT:
Vinyl record
DESCRIPTION:
1997 Rare Ambient, Experimental & Indie Rock LP Repressed - "Hydroplane reinstate their formidable 1997 debut of sublime guitar atmospherics, fragile lyricism and droning incidentals with an overdue vinyl and digital reissue.
An offshoot of the now-féted The Cat’s Miaow, the trio formed after drummer Cameron Smith decamped to London, charting new territory with tape loops, manipulated samples and a borrowed Jupiter 4 in the wake of Endtroducing. Adopting a handle that Dean Wareham once considered calling Luna, Hydroplane intended to only ever release Excerpts From Forthcoming LP, a single-sided 7” sonic collage, before imploding in mystery. Their label however insisted they deliver their taunted album. From the comfort of a Brunswick flat, they continued to record soaring melodies and restrained song structures to 4-track, sculpting dramatic Radiophonic Workshop cues weighted in reverb and near-perfect dream pop lead by Kerrie Bolton’s empyrean vocals.
Bored of industry expectation and largely ignored by local audiences, the reluctant performers followed the way of The Cannanes and formed meaningful overseas alliances by mail and phone, securing releases on Michigan outpost Drive-In and Broadcast launching pad Wurlitzer Jukebox. Championed by John Peel with twenty spins on his converted Radio One slot and even polling in Festive Fifty of 1997, the humble three-piece still walked to their neighbourhood shops undetected.
An offshoot of the now-féted The Cat’s Miaow, the trio formed after drummer Cameron Smith decamped to London, charting new territory with tape loops, manipulated samples and a borrowed Jupiter 4 in the wake of Endtroducing. Adopting a handle that Dean Wareham once considered calling Luna, Hydroplane intended to only ever release Excerpts From Forthcoming LP, a single-sided 7” sonic collage, before imploding in mystery. Their label however insisted they deliver their taunted album. From the comfort of a Brunswick flat, they continued to record soaring melodies and restrained song structures to 4-track, sculpting dramatic Radiophonic Workshop cues weighted in reverb and near-perfect dream pop lead by Kerrie Bolton’s empyrean vocals.
Bored of industry expectation and largely ignored by local audiences, the reluctant performers followed the way of The Cannanes and formed meaningful overseas alliances by mail and phone, securing releases on Michigan outpost Drive-In and Broadcast launching pad Wurlitzer Jukebox. Championed by John Peel with twenty spins on his converted Radio One slot and even polling in Festive Fifty of 1997, the humble three-piece still walked to their neighbourhood shops undetected.
PRICE:
£29.99
RELEASED YEAR:
SLEEVE:
New
MEDIA:
New
BUY:
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TRACK LISTING:
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Last FM Information on Hydroplane
Please note the information is done on a artist keyword match and data is provided by LastFM.
As members of The Cat's Miaow, Kerrie Bolton and Andrew Withycombe help create pretty, smart pop music. With their other band Hydroplane, they do the same, but use an expanded palette of styles and sounds. The key difference is electronics over conventional instruments, with Withycombe using an apparent assortment of unspecified electronic devices to build a deep array of unique, layered musical arrangements to support Bolton's elegant and intimate crooner's voice. Hydroplane's first two albums, one self-titled and one called Hope Against Hope, introduced their sound as ambient pop: catchy but relaxed melodic tunes set in carefully crafted dreamy atmospheres. With their third album The Sound of Changing Places, the duo pushes their sound in all sorts of new directions, emphasizing playful experimentation while still giving appropriate attention to pop songcraft.
Hydroplane's electronic pop creations at times travel into funky territory that would make them dance-floor-ready, especially on "Embassy Café", an energetic pop tour through a night on the town. That track also has affairs of the heart at its core. Love, loneliness, infatuation -- these themes pop up on just about every great pop record ever made, and The Sound of Changing Places is no exception. The last two songs, "Cry My Heart" and "World Without You," are especially touching portraits of love, giving the album a sweetness to match its musical dexterity. By the album's end, Hydoplane have traveled through myriad musical worlds, but they haven't forgotten to map the human heart, either.
Bio for Hydroplane (not the band, but the artist of the album Flowers):
Hydroplane is the stage name of producer/musician Renzo Gorrio. Having been raised in the suburbs of Miami, FL with nothing to do but inline skate and make music, both became passions. Music stuck, leading to an eventual move with his band Late Night Curly to Portland, OR for 2 years where he honed his production skills and musical chops. His first two full lengths released were of the IDM styling; however, his more recent work has more of a melodic, indie pop vibe, akin to what a Gorgio Morroder and Mathew Dear collaboration might sound like if they both got together to record in Argentina. Arpeggiators and vocoders are no strangers to this pup. Pop it in…
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