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FUTURE SOUND OF LONDON - DEAD CITIES (25TH ANNIVERSARY EDITION)

- NEW RELEASE

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TITLE:
Dead Cities (25th Anniversary Edition)
LABEL:
CATNO:
3537463
FORMAT:
Vinyl record
DESCRIPTION:
1996 Leftfield, Abstract, Ambient, Downtempo, Experimental LP - 2x12" Heavyweight Repress Including Download Code.

Vinyl reissue of Future Sound of London’s seminal album, "Dead Cities". Marking 25 years since its original release this cult album is pressed on vinyl for the first time since its 1996 release.

“Herd Killing” and “We Have Explosive (Herd Killing mix)” both feature several samples from the Run DMC album Tougher Than Leather. Title track “Dead Cities” contains a vocal sample at the beginning of Laurence Fishburne from the film Deep Cover. Single “My Kingdom” features a vocal sample of “Rachael’s Song” (aka “Rachel’s Song”) by Vangelis, from the Blade Runner soundtrack .

The album charted in the UK top 40 with “My Kingdom” & “We Have Explosive” both entering the UK singles chart in the top 15.

A deadly mix of warped breakbeats, cinematic moods and adrenelin-triggering sfx and synthesis; it's world's apart from the acid house revellry of "Papua New Guinea" and a much more challenging, if rewarding and immersive experience...

PRICE:
£22.99
RELEASED YEAR:
SLEEVE:
New
MEDIA:
New

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LISTEN:
Play       Cue Sample

TRACK LISTING:

Click to listen - add to playlist or download mp3 sample.

PLAY
 
CUE
MP3
a1
Herd Killing
a2
Dead Cities
a3
Her Face Forms In Summertime
a4
We Have Explosive
b1
Everyone In The World Is Doing Something Without Me
b2
My Kingdom
b3
Max
b4
Antique Toy
c1
Quagmire / In A State Of Permanent Abyss
c2
Glass
d1
Yage
d2
Vit Drowning / Through Your Gills I Breathe
d3
First Death In The Family

Last FM Information on Future Sound Of London

Please note the information is done on a artist keyword match and data is provided by LastFM.
First recognized as the dance duo behind the club hits "Stakker" (as Humanoid) and "Papua New Guinea," Future Sound of London later became one of the most acclaimed and respected international experimental ambient groups, incorporating elements of techno, classical, jazz, hip-hop, electro, industrial, and dub into expansive, sample-heavy tracks, often exquisitely produced and usually without easy precursor. Notoriously enigmatic and often disdainful of the press, the group's Garry Cobain and Brian Dougans worked their future-is-now aesthetic into a variety of different fields, including film and video, 2- and 3-D computer graphics and animation, the Internet, radio broadcast, and, of course, recorded music. Although they usually disdain their earlier work as play-for-pay club fare not representative of their later musical vision, many of the thematic concerns of their earlier 12"s and their first, heavily dance-oriented LP, Accelerator, followed them into their later work. Usually filed under ambient, that work is often much more than that, drawing from the history of experimental electronic music with a relentlessness that has helped to push the calmer elements of that genre's reputation into decidedly more difficult directions. The pair also grew in repute as remixers, obliterating tracks by Curve, Jon Anderson, David Sylvian and Robert Fripp, and Apollo 440, and rebuilding pieces of almost majestic complexity with the remnants. The duo's works of the mid- to late '90s -- Lifeforms, ISDN, and Dead Cities -- were important stopping points on the road of rabid hybridization characteristic of post-rave European experimental electronica (ambient, jungle, trip-hop, ambient dub, etc.), and the pair's somewhat punk rock attitude (despite their success) did much to underscore the scene's underground roots. After a lengthy hiatus marked by rumors of mental illness and a cottage lifestyle, Cobain and Dougans returned in 2002 with The Isness, a record heavily influenced by '60s and '70s psychedelia. ~ Sean Cooper, All Music Guide www.futuresoundoflondon.com Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.