GLOBAL GROOVE
Specialists in dance music and vinyl, over 60,000 in stock shipping worldwide daily.
Open for mail order transactions as normal.
AMELIE LENS - LITTLE ROBOT
- NEW RELEASEARTIST:
TITLE:
Little Robot
LABEL:
CATNO:
LENSKE007
STYLE:
Techno /
FORMAT:
Vinyl record
DESCRIPTION:
Techno 4 Tracker Pressed on Ltd Edition Clear Vinyl - All set to push the dance floor forward Amelie Lens returns to drop her second solo release on LENSKE following 2018's 'Basiel' EP. True to her reliable productions of pumping kicks, nasty acid lines and spiralling groove dynamics, energetic 4/4 winds blow fiercely across the four cuts of 'Little Robot', offering a much compelling arsenal of powerhouse techno to top the summer off in the most epic way.
First in line, the hard-hitting 'Helium' blurs the dancer's mind through a haze of understated sub-bass moves and sonar bleeps. Carried through by Amelie's signature vocals, 'Man Over Machine' continues down the hypnotic path with unrelenting efficacy, before the stadium-sized steamroller 'Little Robot' takes us to a raving climax. Last but not least, the aptly named 'Storm' raises the BPMs to ensure maximal impact until the very final moments. Just do not go by its gentle name, 'Little Robot' packs monster fire within.
When it comes to offering up tough, mind-altering techno, few are quite as capable as Amelie Lens. Further proof arrives via the Belgian's second EP of the year, a four-track collection of dark and intense club cuts on regular home Lenske. Check first the thrusting weightiness of "Helium", where psychedelic lead lines rise above booming bass, trance-inducing drums and intoxicated late night electronics, before admiring the armour-plated stomp of "Man Over Machine", where Lens utters key words over another slamming rhythm track. Elsewhere, "Little Robot" is a mind-altering chunk of spiraling techno-trance, while "Storm" channels the raged intensity of Laurent Garnier's "Crispy Bacon" and re-imagines it for the 21st century
First in line, the hard-hitting 'Helium' blurs the dancer's mind through a haze of understated sub-bass moves and sonar bleeps. Carried through by Amelie's signature vocals, 'Man Over Machine' continues down the hypnotic path with unrelenting efficacy, before the stadium-sized steamroller 'Little Robot' takes us to a raving climax. Last but not least, the aptly named 'Storm' raises the BPMs to ensure maximal impact until the very final moments. Just do not go by its gentle name, 'Little Robot' packs monster fire within.
When it comes to offering up tough, mind-altering techno, few are quite as capable as Amelie Lens. Further proof arrives via the Belgian's second EP of the year, a four-track collection of dark and intense club cuts on regular home Lenske. Check first the thrusting weightiness of "Helium", where psychedelic lead lines rise above booming bass, trance-inducing drums and intoxicated late night electronics, before admiring the armour-plated stomp of "Man Over Machine", where Lens utters key words over another slamming rhythm track. Elsewhere, "Little Robot" is a mind-altering chunk of spiraling techno-trance, while "Storm" channels the raged intensity of Laurent Garnier's "Crispy Bacon" and re-imagines it for the 21st century
PRICE:
£11.49
RELEASED YEAR:
SLEEVE:
New
MEDIA:
New
BUY:
LISTEN:
Last FM Information on Amelie Lens
Please note the information is done on a artist keyword match and data is provided by LastFM.
Amelie Lens (born 31 May 1990) is a Belgian electronic music DJ, record producer and co-owner of the Lenske record label. She is signed to the Pan-Pot imprint Second State records, with whom she has released several singles and EPs, the most successful to date being 2017's Contradiction EP. She has also recorded for the Drumcode and Elevate labels. Her live sets tend towards bass-heavy minimal techno, mixing classic acid and tribal house influences with more contemporary European techno sounds.
Lens has toured extensively across Europe and North America, including a 2017 appearance at LaPlage de Glazart in Paris, and at the 2018 Awakenings festival in the Netherlands.
She often plays live using a Pioneer effects box, which she uses "to add layers to the mix. It has a built-in sampler and personalised effects that can entirely reform the track that is playing. Like everything, its use is situational. Sometimes I hardly touch it, but when I play a peak-time set it truly shines. I specifically look for and buy tracks that will work well with the device. Very stripped-down or minimalistic percussion locked grooves." When recording, she mostly uses Ableton Live music sequencer and digital audio workstation, as well as the Elektron Analog Four synth and sequencer. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.